About Le Cube
As a centre for creation entirely dedicated to digital technology, Le Cube is a unique experiment in France. Sponsored and initiated by the town of Issy-les-Moulineaux, it opened its doors in 2001 and is part of the Western Greater Paris Urban Community. It is managed and run by the ART3000 association.
Open to all, Le Cube’s mission is to inform and educate the public about the artistic and cultural uses of digital technology, to support artistic production by providing efficient means for creation, to devise a programme representing the abundance and diversity of multimedia arts and to facilitate relationships between actors in the fields of digital creation, research and technological innovation.
Le cube, a centre for digital creation
A pioneer in the French digital culture scene, Le Cube is a place of reference for digital art and creation. It’s a space open to everyone – whatever their age, whether their level of digital skills – for discovering, practicing, creating and sharing throughout the year via workshops, courses, exhibitions, shows, conferences and discussions with digital artists and experts.
Le Cube is an initiative created in 2001 by the city of Issy-les-Moulineaux, as the Urban...
ART3000
The team chosen by the City of Issy-les-Moulineaux to manage and run Le Cube was built around the ART3000 association, set up in 1988 by brothers Florent and Nils Aziosmanoff, joined by Stéphanie Fraysse-Ripert in 2000.
Grand Paris Seine Ouest / Issy
Le Cube is an initiative created in 2001 by the city of Issy-les Moulineaux, as the Urban Community of Grand Paris Seine Ouest's centre for digital creation. It is organised and managed by the ART3000 association.
Partners
Le Cube, created in 2001 at the initiative of the city of Issy-les-Moulineaux, is part of the Urban Community of Grand Paris Seine Ouest. It is managed and run by the ART3000 association.
Virtual visit
Visit Le Cube and its enhanced exhibitions thanks to this 360-degree virtual visit. Made by “Atout REVE” in association with Le Cube.







